birds

The invention of paper is dated in the 2nd century, in China. Paper crossed Samarkand path to Occident, at the last days of 8th century, where it was spreaded between the ninth and 15th century.

There is no knowledge about paper folding in China but the Dunhuang Manuscripts. There is also no information about the regions where paper arrived.

It seems that paper folding evolution happened parallelly in Orient and Occident without any contact or influence between them.

The oldest data shows a pattern with cuts (jewellery box) in Occident and without them in Orient (noshi). Both models are included in the packaging modelling.

Experts tried to systematize the peculiarities and deferences of both traditions in terms of folding tendencies and use of models.

In occidental origami, the use of foldings with 45° dominated in models, whereas 22.5° did in oriental origami.

In Orient, the use of cuts was, frequently, part of the foundation of the models. Some experts suggest that it could happen because the resistance of paper to be ripped was higher in Orient, so it was easier to make soft unions with less and more resistant paper bridges.

In Occident, cutting was't part of the foundation of the models. Some hypothesis specify that this could be because the origin of paper folding was born from napkin folding.

In late 19th century, both traditions met and since then influences are reciprocal.

From the 90s, the expansion of Internet thanks to globalization and the easy access to communications and its instantaneously, triggered the next quality advance in the origami evolution.

altar

Oriental

The invention of paper is officially given to Cai Lun in 105 a.D. in China, but it is possible that the technique principle was defined between 247-195 b.C. In the 7th century, fabrication of paper arrives to Korea and Japan.

In spite of being known Dunhuang manuscripts (907-960) in China, which show some kind of sheets folded to make little notebooks and books, there is no documentation about any specific model. There is also no documentation about any model in Korea.

Schools of etiquette in the Muromachi period, in Japan (14th-16th century), were based on Chinese's. The school of etiquette Ogasawara counted with ceremonial and protocolary foldings. Some of these foldings were used as wrappers, including those with a Shintoism relation, giving the same worth to the content as the context.

Japan kept trade relationships with Occident from 1543 until 1639, when it was limited to Holland and China. It would remain closed to the rest of the world until 1868. There is no information about exchange of folding models during the years of commercial period but, maybe, the Chinese junk.

The first documented model in Japan is from early 18th century (crane, Japanese emblematic model; little boat...). Late this century, the book Hiden Sembazuru Orikata appeared. It shows a base sheet with cuttings to make thousands of models of cranes of different sizes joined by slight paper connections. In the middle of 19th century, the book nowadays known with the title Kan-no-mado appears. It shows models and developments created with great skills and beauty, most of them with cuttings.

In oriental tradition, cuts have been always integrated (kirigami).

From 1868, when Japan opened its borderlines to the rest of the world, influences flowed in both ways.

Cai Lun
105 a.C.

Cai Lun. Traditionally known as the inventor of paper in China.
6th-7th century

Fabrication of paper starts in Korea (year 500) and Japan (year 610).
751

Fabrication of paper arrives to Islam from Samarkand (Uzbekistan). It is followed by Baghdad (year 793), Asia Minor, North of Africa (year 900) and Spain (year 1036).
Mapa
12th century

Family blazons started to be used in the late Heian period (12th century) and the development continued in both Muromachi and Edo periods. Blazons were added to flags, banners, weapons, kimonos...
Blasones
12th century

At the late century in Japan, the typical creation of paper wrappers was developed, whose content were abalone (sea ears) and other food: noshi-awabi, as known as noshi.
14th century

In the Muromachi period (centuries XIV and XVI) appeared the tradition of wrapping presents with beautiful paper and the offerings to the Gods (noshi-awabi). They were casual and decorative foldings, following the parameters of the different schools of etiquette. The most known schools of etiquette were Ise and Ogasawara.
Envolver Envolver
Ocho y mecho
14th century

Ocho and Mecho Ceremony.
Osagawara School of Etiquette.

"(After the bride, the groom and the relatives join and sit down)... Then, two married women take a bottle of wine each one... and they put them in the lowest part of the room... One bottle has a male butterfly made of paper tied on it, the other one a female paper butterfly... (and the wine of the two bottles is served in the vessel)... The emptying of both bottles at the same time, the night of the wedding, represents the union that is being done."
Azteca
1519

When Hernán Cortés arrives to Tenochtitlán, Aztec and Maya books made of amate paper already existed. These books, whose texture was like pasteboard, were folded like an accordion.
1734

The Japanese book Ram-ma Zushiki shows illustrations of folded models.
Ram-ma
1797

The book Orikata Tehon Chushingura contains illustrations of the Chushingura drama, with paper folding models and rudimentary instructions for its folding.
Chushingura
Chushingura
1797

Hiden Sembazurur Orikata (How to fold one thousand cranes) is a book of "crazy" poems, from the union between the poet Rito Akisato and Rokôan Gido, high ranked of Choen-ji temple.
Grullas
Kan no mado
1845

Kan no mado (A window for cold weather) is a section of the fifty little volumes compilation (Kayaragusa), copied by Kazuyuki Adachi, which includes the development of forty-nine model of recreational and ceremonial origami.
1868

Meiji Restoration opens Japan borderlines again and it restarts its relationships with foreign cultures. They start to hire occidental teachers for their new University System.
1878

In 1878, the first Japanese book with figures used in Kindergarten, owned by the German Clara Ziedermann in Tokio, is published. These figures were extracted from the Hollander popular book De Kleine papierwerkers, dated in 1863.
Kindergarten Kindergarten
1930

Japanese origamist, Koko Uchiyama (1912-1998), fights for the authoring of the models for their creators. Before that, traditional origami was transmitted anonymously and it is unknown the author of the figures. He worked on the development of traditional folding sequences (basis).
1931

Isao Honda publishes his first book in Japanese, in 1931. He investigated the folding of Japanese traditional figures. He published in 1964 the book Noshi, about the ceremonial foldings of past centuries. His twenty books in English had repercussion in United States and England.
1952

The Japanese magazine Asahi Graph published the models of the Chinese zodiac that Akira Yoshizawa created for the publication. It is considered the beginning of modern origami.
Akira Yoshizawa
1955

Akira Yoshizawa published in 1955 his first book Atarashi Origami Geijutsu (New Art of Origami), in which he defends the origami without cuts and he presents, for first time, the diagrams to use from this moment in all the world.
1958

A monument is raised up in memory of Sadako Sasaki in the Peace Memorial Park of Hiroshima (Japan).

Sadako died at the age of twelve because leukaemia, in consequence of the first atomic bomb. She tried to fold one thousand cranes because, as the tradition says, she would be cured. She only could get six hundred and forty four. After her death, her mates folded the rest of them in a pacifist movement. Since that day, thousands of cranes are sent, day after day, from every part of the world to the Peace Memorial Park.
Parque de la Paz
1990

At the early 90s, it takes place the Bug Wars. Japanese and few occidental origamists challenge themselves to create more and more realistic and difficult arthropods.

It deserves the perfection of mathematical, geometrical, topographical and computing techniques on paper folding.

This methodologist development is applied to the folding of other models. This kind of high performance figures makes more difficult its diagramming and a new system appears: the crease pattern. A starting drawing to obtain the final model.
Bug wars
1999

Grupo Zaragozano and Akira Yoshizawa had a non-stop relationship since the 60s. The master visited Zaragoza twice. In 1999, Tokyo celebrated the exhibition Paper Soul in commemoration of the 88th anniversary of sensei Yoshizawa. The master invited Carlos Pomarón to the inauguration and to live five days with his family and students.
Expo

Occidental

Both, papyrus and parchment, were folded for an utilitarian end (shipment of documents, maps...)

Paper arrives to Islam, in the 8th century, through Samarkand and is there where its usage expands to Baghdad, Asia Minor, North of Africa, Spain and the rest of Europe. Its popularity grew so fast that, in 1035, many objects were wrapped with paper in Egyptian bazaars and in Fez (Morocco), in 1200, the number of working paper mills ascended to four hundred.

Utilitarian foldings (wrappers, little drugstore bags, medicinal plants conservation, boxes, moulds for sweets...) were the most used in the beginning of the history of paper. These foldings could be used some time before with parchment.

In Occident, simbolic folding is almost non-existent, with the exception of the hypothetical folding in the astrological square or the message cards of 19th century.

Folding as leisure and/or artistic, starts in the 17th century. Maybe because it was an economic way of study, practise and education of napkin folding exhibited in aristocratic tables in the last times of XVI and XVII centuries. The first documented foldings as hobby with accordion base or multiform, the same used in napkin folding, support this origin. This textil origin could explain the idea of no cuts in occidental origami.

The first documentation of origami models in Occident is from early 18th century. The book Hocus Pocus improved or Sports and Pastimes shows a multiform folding to make some models without cutting the paper.

There is only one clue that could explain the possible transmission of origami knowledge, between Japan and Europe, before 1868. One illustration from a Dutch book, from 1806, shows for the first time in Occident the Chinese junk. In this period, Japan only had commercial relationships with Holland.

From 1868, when Japan opened its borderlines to the rest of the world, influences flowed in both ways.

3200 b.C.

The Egyptian papyrus, used since 3.200 b.C., was resistant, flexible and with a long life. Not fragile. Some documents have been found folded to protect their texts and to be transported.
2n century BC
2nd-3rd b.C. century

The author Pliny the Elder sets the date of the invention of parchment in the 2nd-3rd b.C. century.
4th century

Liturgical fans or flycatcher. Liturgical item derived from profane fan, used to cover from the sun, refresh and drive insects away.
Flabelo
7th century
1035

In Egyptian bazaars, the stuff was already wrapped in paper.
1056

First reference of a paper mill in Xátiva (Valencia). In the 12th century, the geographer Al-Idrisi wrote about Xátiva: "A paper of the best quality in the world is produced and it is well known in Orient and Occident".
Molino
12th century
12th century

The notebook, in which the medieval manuscripts were divided, were made with several sheets (8, 10, 12, 16, 24). Combined foldings made that the internal and external sides of the parchment were perfectly faced. Some documents are conserved, with up to eight pages on each side.
Cuadernillo
1460

Jewellery box from the book The hours of Catherine of Cleves.

The utilitarian usage can be watched in the marginalia, on this illustration of Saint Agatha. Saint Agatha was considered the patron of jewellery makers, what explains these boxes filled with jewels.
Joyero
15th century
1532

Georg Gisze holds in his hands a letter folded, which remains closed by putting part of the paper inside of a backside flap.
Gisze
1543
1572

During a feast celebrated by Pope Gregory XIII, the table is set with folded napkins and a castle made with the same technique in the middle.

Geigher published Li tre trattati (1629) with the chapter Trattato delle piegature dedicated to the folding of napkins. He teaches this technique in the University of Padova, using paper firstly.
Servilleta plegada
Servilleta
1614 Misión
1630
17th century
1710

For the first time, the trouble-wit fold in accordion or multiform appears in the book Hocus Pocus Improved or Sportsand Pastimes, for various models.
Trouble-wit
17th century

In Central Europe, baptism certificates were folded following a template that reminds the lines of an astrology card or the foldings of a pajarita.
Bautismo
Bautismo Bautismo
1806

Among Marie Laetitia's toys, we can find a "capuchino" made with a playing card and a bird.
Marie Laetitia
18th century
1806

Chinese junk (or king and queen's boat or gondola) appears for the first time in Occident in a picture in a Dutch book. Hollanders were the only European people who had trade relationships with Japan.
Junco chino
1809

Horse and rider, invented by the German painter and teacher Adolf Senff between 1809 and 1812 in Dresden. It represents the 1810 Saxon army. Horse and rider are independent figures made starting from the pajarita pattern.
1850

Friedrich Fröbel, kindergarten founder (a scholastic system for infants or children based on games), published notes about the use of origami in the education.
Fröbel
1885

The flapping bird, radically different from the traditional Japanese crane, appears on documents for the first time in La Nature, in 1885.

In some of the Universal Expositions that began in 1855, the Japanese pavilion showed folding paper figures (frog, bird, samurai hat, parrot...).
Pájaro aleteador
20th century
1902

Miguel de Unamuno (1864-1936)

First edition of Love and pedagogy, which includes the ironic manuscript Apuntes para un tratado de cocotología after the epilogue.

"The pajarita is, with no doubt, the architectonic form, we can say, that paper wants and requires; the shape that the perfection of a paper figure comes from, the perfect origami being... And we dare to suspect that children have born for the pajarita and no this one for them..."
Unamuno
Pajarita
1920

In 1920, in a letter to José Venegas, Unamuno wrote: "The little pig attached has been invented by me... In the morning, after waking up, I took a paper and what you can see (little pig) appeared; and I tell you with formality that it needs more imagination than write a poem and, over all, much more than prepare a parliamentary speech to trigger a ministerial crisis".
Venegas
1927

In the Bauhaus, German school of craft, design, art y architecture founded in 1919 by Walter Gropius, the teacher Josef Albers uses origami as design element base. Albers escaped to United States where he kept using origami in his classes.
Bauhaus
1929

In a park of Huesca, the sculpture Las pajaritas is risen up. Ramón Acín's work, the first sculpture in the world dedicated to a paper figure.
Huesca
1952

First origami biographic compilation made by G. Legman. It includes one hundred and sixty references.
Bibliografia
1952

First periodical meetings of Peña papiroflexista, finally named Grupo Zaragozano de Papiroflexia, whose members will meet without interruption until the present, but the period between 1972 and 1978.

Their view of origami as and art and a science demands "orthodoxy" (no cuts).
GZP
1954

Globalization, the new system of symbols to represent the movements to apply, the exchange of information, etc., triggered the creation of crews and associations.

Akira Yoshizawa's International Origami Center in 1954

Friends of Orgami Center of America (FOCA) in 1958 (now Origami USA)

British Origami Society (BOS) in 1967

Mouvement Français des Plieurs de Papier (MFPP) in 1978

Centro Diffusione Origami (CDO) in 1978

Nippon Origami Association

Origami house
1981

Asociación Española de Papiroflexia was founded in Zaragoza. Some members of the Grupo Zaragozano de Papiroflexia are the founders.
2013

Inauguration of Educational Museum of Origami in Zaragoza (EMOZ). Its priorities are: be a permanent origami museum, where all kind of paper folding tendencies are accepted, and be a centre of education and divulgation of origami as entertainment, art, science and dialogue between cultures.